Milonga at Argentine Tango Association, Ginza, August 23, 2019 Tonight, I joined this milonga held at Argentine Tango Association, in the most busy area Ginza, 7min. from Higashi-Ginza metro station by foot. http://www.tangodance.co.jp I come to Tokyo around twice a month but since there are so many milongas, I visit each milonga actually once per half year or one year. I visited this milonga maybe the first after one year. I therefore met only a few people I know, most of them I met for the first time. It means there are many people who dance tango in Tokyo. Tonight, there was a nice demonstration by Agata & Mariano. I heard Mariano leaves Japan to visit Copenhagen next week. Actually, various professionals come this studio for several months and change to others so you can meet many professionals. One of them was Agustina who became the world champion this time. We therefore celebrated with cheers by sparkling wines. Here there are many professional male dancers so that there are around 3 times more ladies than gentlemen. It means here is a men paradise; gentlemen, you should come here to dance, ladies are waiting. Thank you for all ladies and Agata and Midori, for daning with me. Milonga en la Asociación Argentina de Tango, Ginza, 23 de agosto de 2019

 

San Oda está con Emanuel Dos Reis y 2 personas más.

2td4Spi nooadnes lagoonstgoi ddmoenrree 20omda19moeg  · 

Milonga at Argentine Tango Association, Ginza, August 23, 2019

Tonight, I joined this milonga held at Argentine Tango Association, in the most busy area Ginza, 7min. from Higashi-Ginza metro station by foot.

http://www.tangodance.co.jp

I come to Tokyo around twice a month but since there are so many milongas, I visit each milonga actually once per half year or one year. I visited this milonga maybe the first after one year. I therefore met only a few people I know, most of them I met for the first time. It means there are many people who dance tango in Tokyo.

　 Tonight, there was a nice demonstration by Agata & Mariano. I heard Mariano leaves Japan to visit Copenhagen next week. Actually, various professionals come this studio for several months and change to others so you can meet many professionals. One of them was Agustina who became the world champion this time. We therefore celebrated with cheers by sparkling wines.

Here there are many professional male dancers so that there are around 3 times more ladies than gentlemen. It means here is a men paradise; gentlemen, you should come here to dance, ladies are waiting.

Thank you for all ladies and Agata and Midori, for daning with me.

Milonga en la Asociación Argentina de Tango, Ginza, 23 de agosto de 2019

Esta noche, me uní a esta milonga celebrada en la Asociación Argentina de Tango, en la zona más concurrida de Ginza, 7 min. desde la estación de metro Higashi-Ginza a pie.

http://www.tangodance.co.jp…

Ver más

  · 

Ocultar traducción

  · 

Calificar esta traducción

33

Me gusta

Comentar

(Downward Slope,1934), Museo del Cine Pablo Ducrós Hicken Collection. @museodelcineba--- "The timeless song, the one that nobody remembers when or how it was heard for the first time, the one that every now and then returns to our ears so that time stands still. As in other Gardel films, here there is a departure, a ship and a return, a return that Carlos decides to undertake by singing while the images of a bright city come back to him: that Buenos Aires of the 1930s that by then had become increasingly distant. It seems a mockery of fate that the most iconic songs of Gardel and Le Pera were composed and recorded far away from Buenos Aires, and that this return, so often made out of a song, never took place." Felipe Bonacina “Cuesta abajo" (Downward Slope,1934), Museo del Cine Pablo Ducrós Hicken Collection. @museodelcineba

 

Museo Casa Carlos Gardel

34 min  · 

Y llegamos al final del recorrido por las canciones de “Cuesta abajo” (1934). Tomate tres minutos y disfrutá de este clásico de clásicos en la versión de Gardel. ¿Se puede cantar tan lindo y sonreír tan hermosamente a la vez? El complemento ideal son las reflexiones de Felipe Bonacina @felipe.bonacina de @videoteca_unsam !Muchas gracias Felipe por compartir tu sabiduría tanguera con todos!

“La canción sin tiempo, la que nadie recuerda ni cuándo ni cómo la escuchó por primera vez, la que cada tanto regresa a nuestros oídos para que el tiempo se detenga. Al igual que en otras películas de Gardel aquí hay una partida, un barco y un regreso, un retorno que Carlos decide abordar cantando mientras las imágenes de una ciudad luminosa vuelven hacia él. Aquella Buenos Aires de los años treinta que en este momento de su vida artística parecía cada vez más lejana. Sigue resultando una burla del destino que las canciones más icónicas de Gardel y Le Pera fueron compuestas y grabadas muy lejos de Buenos Aires, y que ese regreso tantas veces hecho canción nunca se concretó.” Felipe Bonacina.

https://www.youtube.com/watch?v=QvZ5kEMUdkA...

“Cuesta abajo” (1934), Colección Museo del Cine Pablo Ducrós Hicken. Museo del Cine Pablo C. Ducrós Hicken

#CuidarteEsCuidarnos #MuseosBA #MuseoGardelEnCasa

---

"The timeless song, the one that nobody remembers when or how it was heard for the first time, the one that every now and then returns to our ears so that time stands still. As in other Gardel films, here there is a departure, a ship and a return, a return that Carlos decides to undertake by singing while the images of a bright city come back to him: that Buenos Aires of the 1930s that by then had become increasingly distant. It seems a mockery of fate that the most iconic songs of Gardel and Le Pera were composed and recorded far away from Buenos Aires, and that this return, so often made out of a song, never took place." Felipe Bonacina

“Cuesta abajo" (Downward Slope,1934), Museo del Cine Pablo Ducrós Hicken Collection. @museodelcineba

3Horacio Canesi y 2 personas más

1 vez compartido